Wednesday, July 8, 2009

R.I.P. MJ



I loved MJ's music. I'm not going to say much about his life or legacy because story upon story can be found anywhere you might glance. I have actually seen quite a few nice pieces on him.

Here is a news show (one of my favs) with an honest and intellectual discussion of his life, music, and lasting contributions. It's a nice respite from the mainstream media's sensationalism and tendency to make a mockery of everything they cover.

http://www.democracynow.org/2009/6/30/michael_jackson_1958_2009_the_life

I also found a dope collection of MJ remixes on this really dope blog called "The Essentials of Cool."

The funeral last night had your boy a little misty. I thought that was well done with the exeption of Mariah Carey's song. She didn't sound good and what really got me was the fact that Trey Lorenz struggled. Got so hyped when he came out and couldn't wait for the "holding on" high note... nah, didn't work out so well. I loved the kid from Britain's Got Talent, Usher, and Jermaine Jackson. Jermaine! I forgot how nice a voice he has. Remember this vid? I'm sure you don't unless you grew up on Video Soul like I did.





God Bless MJ and Fam.

Slimster

Sunday, June 28, 2009

Rock the Mutha Effin Bells 2009 -- Chicago Edition

Yo yo! It's Adam again with a review for that ass.

Spent yesterday in the lovely hamlet of Tinley Park for 2009's Rock the Bells show. If you don't know, it's an all-day hip hop festival. Started at Noon, ended around 11:30pm. Tons of acts.

Got to the show around 4:30 because I just can't handle all day at a venue. I'm just getting too old for that shit. If I get there too early, I spend the end of the night waiting for shit to be over just so I can go home. Also, I'm not really interested in seeing Murs or Jay Electronica, like last year.

So I rolled in around 4:30 since K'naan was set to perform around then. First thing I saw was Buckshot and KRS on the second stage ripping it up. I didn't even know Buckshot would be there, so I was stunned when I was waiting to get past security and I heard his voice. He rocked some of the classic Boot Camp shit and some new joints off his forthcoming album with KRS. Not bad. Watched his set, then rolled into the main stage for K'naan.

He opened with "in the beginning" and performed it pretty well. He had a live band backing him up this time, which was a welcome change from the last time I saw him when he was rapping over his own track playing on the sound system. He still had the chorus of his songs playing, but it was much better than the entire show being rapped over his CD.

Unfortunately, the crowd was sparse and pretty laid back at 4:30--maybe saving their energy, maybe just not into it. I don't know. Whatever it was, not too many people were participating with him. It was a shame, too, because his whole set was pretty solid. When he performed "Take a minute," it gave me the chills.

He did "waving flag" last and kind of annoyed me with it. He did the whole song really slooooow and acapella first, trying to get people to sing along with him. It didn't work, due to the aforementioned lackadaisical crowd. The band then kicked in and he did the full version of the same song and rocked it. Chills, part 2. Too bad the crowd sucked at this point and he left the stage to a weak applause.

Next up, Reflection Eternal. Yup, Kweli AND Hi-Tek, together. They got an album dropping this summer sometime. I will definitely cop that. Kweli live shows, however, are another story. I've seen him live 4 times now, the first time being in 1999. He has only once put on a good show for me, and that was in 2007 at the HOB in Chi. That was the only time he sounded good. He just yells into the mic too hard and spits too damn hard at the end of syllables. It's pretty annoying. He also managed to yell at the soundman 3 times in the middle of the set. nice dickhead move, kweli. So after struggling to make out a word he said for 45 minutes, he left the stage and I was happy about that.

Next up, Big Boi. zzzzzzzzzzzzzzzzzzz. I left for some refreshments and found a sprite tent with Street Fighter 4 set up. Hung out and whipped my boy a few times while we waited for Big Boi to finish. I'm no joke with Sagat.

Then I heard another strange sound from the second stage. The Gza was getting down. I was pissed that there were no announcements of who was playing when, since I didn't even know he was there, either. He's rapping along when Raekwon and Ghostface join him, so now I'm paying attention. We get down for a while until i get a text that the Roots had already started on the main stage. No freaking announcements! So I run over there to catch their set. I have never been disappointed with a Roots show, except for one venue when the acoustics were subpar. They played a good set, but the crowd was freakin lame. It was like a mob of zombies. No one getting into it at all. They left to an even weaker applause than K'naan. Bullshit.

By then it was starting to get dark, and the crowd last year really came alive at night. Busta came on next. He KILLED it. The crowd was going bananas! He only did snippets of his tracks because, as he said, "i only got a little time and i got hits". He was the highlight of the night, even though I don't even like his newer shit. Every 30 second snippet he would perform had everyone dancing, even on the lawn. I was impressed.

Next, the headliners. Damian Marley and Nas. They have an album coming out this summer together. I forgot the name but it should be good. Damian came out first with a live band and some backup female vocals a la big poppa Bob and the Wailers. He did 4 or 5 of his solo tracks as well as a couple of his dad's songs. He sounded great. I was moving the whole time.

Then Nas joined him and they did some of the new songs off their upcoming album. Some of them sounded really good. There was one were they were rapping really fast back and forth, one verse at a time. A couple were slower and pretty dope. I'll check that album for sure. Then Nas did his solo gig. No surprises there as he did pretty much the exact same set as the year before (and he was even wearing the exact same white v-neck and white pants): Life's a bitch, If I ruled the world, one mic, made you look, hip hop is dead. Crowd was moving. Damian rejoined him for "Road to Zion", which sounded great but the crowd wasn't moving much. End of the show was "Welcome to Jamrock", which got some movement but not as much as I expected.

Overall, the show was a let-down. Maybe it's the all-day festival aspect, but I didn't enjoy it. There are too many acts, too little time for each act, and it's dragged out for too long. By the end of the night, everyone is exhausted. I don't think I'll go to this type of show again. I'd rather just see one or two groups throw it down and do a proper setlist.


At least I didn't have to suffer through some no-talent ass-clownery like lil wayne.

Thursday, June 18, 2009

Funny Weezy Story -- Music Update

I saw this article on this digital hip hop website. (http://www.hhcdigital.net/HHCDigital001.pdf) Just wanted to share.

SPEAKERBOXXX
LONG LIVE WEEZY!

There are a lot of questionable things Lil’ Wayne has done in
his career so far – kissing his ‘father’ on the mouth, carrying
a guitar around without being able to play a note, inspiring
Kanye to record an entire album in Autotune – but you’ve
gotta give it up to anybody who can sell over two million CDs
and bag four Grammys while effed-up on cough syrup, trees
and pills.

Should Weezy croak in the next couple of months
though, the ridiculous hero worship that saw 2Pac elevated
to the level of rap deity will pale in comparison to the kind of
mass-hysteria which would sweep a Wayne-free world.
Biggie had no chance to fall off and poor Big L didn’t get time to
sell out. Imagine if Ice Cube had choked on his own vomit after
a case of St Ides following the release of ‘Death Certificate’?
He’d be in everyone’s ‘Top Five Dead Or Alive’!

So if Wayne happens to suffer a Pimp C-style syrup-related heart attack,
then the next five years will see Wayne Stans declaring him
the GOAT and releasing 38 volumes of ‘The Carter’ bootlegs.
But if young Wayne manages to stay above ground then it’s
only a matter of time before he alienates his fans by recording
15 experimental rock albums, plays himself in high-profile
TV interviews, and abandons music with the exception of
performing the title track to the latest family comedy he’s
starring in. Stay healthy, Weezy! Robbie Ettelson


Feel free to wiegh in on how great, horrible, or mediocre he is. He is most definitely a favored topic on this blog.

I also wanted to pass on word about some the music that I've been recently bumping.

- Mos Def, Ecstatic. To tell the truth I was "myah" about this album on the first couple of listens because I wanted an exact copy of Black on Both Sides A week later on the pick back up this is sounding like a long player. I can just let this play from track number 4 on. The first three, "myah."

- Dark Night of the Soul, DangerMouse and Sparklehorse. I've only listened through this a couple of times but I like. I especially liked the price of free ninety-nine online. I love Danger for that. You can check the story and find the cd elsewhere online if you ain't knowing.

- Infinity+1 & Down South Remixes, A Trak. I've been listening to these non-stop since my boy DJ Mammoth but me on to A Trak. He's beastly. He's also on a tour right now sponsored by Bacardi. These albums are so money on a run or at a dance party with people who hate Weezy.

Sidenote: Bicardi should be giving something back to hip hop after all the free advertising they've gotten through it. You member the "tipsy off Bicardi Limon's" in hop hop ("lie-mun" too, not "lee-moan"). Where you at Hennessy? Moet? When are your tours coming to a town near me?

Paz,

Slimster

Monday, May 18, 2009

Best of 1998. Ha by Juvenile?

Here is a blast from the past. 1998! It was a year saddened by the death of Pac and Biggie. They were both deceased but they had classics out (Makaveli and Life After Death). It was also a huge year in hip-hop. No Limit Records was taking over the game, Outkast had recently dropped Atliens and came out with Acquemini, DMX dropped his second album, N.O.R.E. dropped his only classic, Lauren hit us with Miseducation, and Black Star changed the game with their only album (I'm so mad about this).

Here is a comment from my Facebook page:

best song of '98... "u keep yo body clean, ha?"

now that's some blog-worthy musack. ;-p

Music Videos by VideoCure


From the description of the albums out in 1998. Is the above bolded statement true or false? Also feel free to yap about 1998 albums in general. I'm still deciding what my fave is.

-Slimster

Friday, April 10, 2009

Zion I - The Takeover




Mi Gente:

Here is a message from a new rebel element on the blog (see the comments on my last post).

this one's not optional, fools.

buy this album!!!

http://www.zionicrew.com/news/zion-i-the-takeover-in-stores-now

best comprehensive, daring, and fundamentally sound sounds i've heard in 2009

the whole thing rides out. the yay area strikes again.


I've placed a link to their website in the links box.

Paz,

Slim

Tuesday, March 10, 2009

Classic Music Monologues

(I saw you)
Hey hey baby how ya doin' come on in here
(Walking in the rain)
Got some hot chocolate on the stove waiting for you
Listen first things first let me hang up the coat
(You were holding hands and I'll)
Yeah how was your day today
Did you miss me
(Never be the same)
You did? Yeah? I missed you too
I missed you so much I followed you today
(I saw you)
That's right now close your mouth
'Cause you cold busted
(Walking in the rain)
Now just sit down here, sit down here
I'm so upset with you I don't know what to do
(You were holding hands and I'll)
You know my first impulse was to run up on you
And do a Rambo
(Never be the same)
I was about to jam you and flat blast both of you
But I didn't wanna mess up this thirt-seven hundred dollar lynx coat
So instead I chilled -- That's right chilled
I called up the bank and took out every dime.
Than I cancelled all your credit cards...
I stuck you up for every piece of jewelery I ever bought you!
Don't go lookin' in that closet 'cause everything you came here with is
packed up and waiting for you in the guest room. What were you
thinking?
You don't mess with the Juice!
I gave you silk suits, blue diamonds and gucci handbags.
I gave you things you couldn't even pronounce!
But now I can't give you nothing but advice.
Cause you're still young, yeah, you're young.
And you're gonna find somebody like me one of these days . . .
Until then, you know what you gotta do?
You gotta get on outta here with that alley-cat-coat-wearing,
punch-bucket-shoe-wearing crumbcake I saw you with. Cause you
dismissed!
That's right, Silly rabbit, tricks are made for kids, don't you know
that. You without me is like corn flakes without the milk! This is my
world. You're just a squirrel trying to get a nut! Now get on outta
here. Scat!
Don't touch that coat...


(Note: I always have trouble posting links in comments so I put them in the links box on the side as well.)

http://www.youtube.com/watch?v=8utL-XzOp6g

Okay. Here is the a classic cut provided to me by my crazy friend in D.C. This fool used to have it as his ring tone. I was in a discussion last weekend about the current lack of song monologues and some of the classics I came across during my time on this side of the grass. I have to say that my favorite one is by the Floaters on their song "Float On." Check it. Warning: you will laugh and laugh hard upon watching this.



I also enjoyed the monologue on Boys 2 Men's "End of the Road." I gotta get back to filing bankruptcies for now but I will check back once I think of more.

Paz,

Slimster

Thursday, February 26, 2009

Troubadour. Same K'NAAN?

Good Morning,

I haven't been feeling very inspired lately and have not created a new post to this blog in a minute. My spark was just released yesterday. As many of the readers of this resurgent blog know, K'NAAN just came out with his second cd, entitled Troubador. My circle has been eagerly awaiting this album. Surprisingly, K's popularity has been on the rise. I heard that his vidoes were featured on MTV. As a side, I have to say I wouldn't know whether or not this is true because I can proudly say that I have not watched that channel in over two years.

Anywho, increased popularity of any independent or underground artist gives rise to concern. Will he succumb to the temptation to compromise his music to reach a wider audience? Will he be manipulated to do so? Is there something about him or his music that leads you to believe that he will or will not be able to resist these pressures?


As for the album, I have to say up front that I'm really feeling it. I don't know if it's because it is one of the best albums I have heard in a while or if I have just been feenin' for some new K'NAAN stuff for two and a half years. I'm giving myself time to develop an objective view of the record. At the same time, I'm looking over the album for signs of an upcoming new jack swing toward larger mainstream appeal. I think the song Bang, Bang may be an indication of his ability to make pop-rockish music. The song's lack of hip hop appeal or his niche mother Africa focus may indicate some intent to develop such a sound.

To be honest with myself, I have no idea what this man will decide to do. I'm hoping that he will continue to improve his wordplay while continually educating us ignorant westerners with his seemingly exotic background. I think there is so much potential for hip hop with a global focus. On his new album, "Fifteen Minutes Away" simply nails it. The topic of a money transfer probably has not been explored in hip hop and his delivery blends with the whimsical sound well. I also really enjoy "Fatima" and "Fire in Freetown."

Well, I'm done rambling for today. Thanks to K'NAAN for waking up this blog. Keep doing what you do baby and please don't go pop.

Thoughts?

S O NE